The dance company Rambert returns to Brighton with this triple-bill, combining the title piece The 3 Dancers with two further new performances, Hydrargyrum and Transfigured Night. As so often with mixed bills, it’s hard to know what to expect overall; the effect is a bit like a lucky dip, and how much you connect with the combination of works is at least partly down to chance.
Reviewed by Tig Land on Thursday 17 March |
A red carpet outside the theatre, police cadets on every door, a full house… and two of my very favourite soap stars in the lead roles. My expectations were high for this adaptation of the novel by Peter James. As you’d expect from James, the play is set in Brighton, and it focuses on the long-term marriage of Victor and Joan Smiley (Shane Richie and Jessie Wallace) – who, when together, are anything but “smiley by name and smiley by nature.”
Reviewed by Tig Land on Tuesday 8 March |
King Charles III has certainly picked an irresistible theme to explore: the soap opera that is the British Royal Family, and the unanswerable question of what really happens behind those tightly-closed sovereign doors. When no cameras are rolling, how different is the private persona from what we see in public? Could it be that something more manipulative and devious is afoot?
Reviewed by Tig Land on Tuesday 9 February |
When they’re done well, Noel Coward's fast-moving and quick-witted plays are always a delight to witness, and this production of his famous comedy of manners did not disappoint. The storyline is a simple one: a divorced couple, who haven’t seen each other for years, each embark on honeymoon with their new partners… only to discover that they’re in adjacent hotel rooms. Predictably, their “ludicrous, over bearing” passion is re-kindled on sight.
Reviewed by Tig Land on Thursday 4 February |
Hairspray is a show full of big musical numbers, big costumes and even bigger hair. Set in the 1960's, the storyline follows the upbeat Tracy Turnblad (played by the excellent Freya Sutton) – an unlikely heroine, who gets the guy and changes Baltimore's attitude towards racial integration. The combination works well: it's an inspired move to tackle serious issues of segregation behind a superficial facade. And it's all done with the help of a back-combed hairdo, and Tracy's trusty can of hairspray.
Reviewed by Tig Land on Tuesday 1 December |
The Last Tango is the latest show from former Strictly Come Dancing stars Vincent Simone and Flavia Cacace – and, if you believe their website, the very last chance to see them on tour. My attention was caught at once by the tantalising chaos of a life-size house, beautifully arranged around an assortment of belongings which had been clearly hoarded by the main character. And so we find George (Teddy Kempner) emerging into the attic, fighting his way through boxes full of memories.
Reviewed by Tig Land on Tuesday 17 November |
Chances are, you know Dial M For Murder as a Hitchcock film – but long before it got the big-screen treatment, it was already a successful stage play. This comfortingly old-fashioned production returns to Frederick Knott’s original script, telling the ill-starred tale of a cuckolded husband and his plans for revenge on his wayward wife. Set, as the programme tells us, on “a Friday evening in September 1952”, the plot oscillates between meticulously well-laid plans and desperate off-the-cuff improvisation… and as the husband’s murderous scheme begins to unravel, the shadow of the hangman’s noose is never far away.
Reviewed by Richard Stamp on Thursday 5 November |
The West End came to the Theatre Royal last night, as the cast of Priscilla burst onto the stage, took the audience by storm in the opening moments… and simply never let up. This musical is an update of the well-known 1990’s film, and the basic premise of the story remains intact: two drag queens and one transgender woman take off on a road trip in an old bus, fondly nicknamed Priscilla. On the journey, their relationships, peculiarities and demons each come to the fore, as they encounter a number of obstacles along their way.
Reviewed by Tig Land on Tuesday 3 November |
As this perplexing adaptation Homer’s ancient text at last draws to a close, the protagonist notes that he’s been on a journey which he “can’t begin to describe, or explain, or understand”. I’m not sure I can either, but I'll try. Bringing the story into the present day, playwright Simon Armitage re-imagines Odysseus as a government minister called Smith – who finds himself accused of murder during a diplomatic jolly to Turkey. Accompanied by his bodyguard, he evades the authorities by diving off the harbour-side into the raging sea; it’s a frankly ludicrous opening gambit, and just the first of several preposterous moments in a story which the programme tells us “places the action of Homer’s classic into modern-day Westminster”.
Reviewed by Richard Stamp on Wednesday 28 October |
From the opening few minutes – where a body, followed closely by a life-size rowing boat, descends slowly from the roof top – you sense this production may be something special. The luxurious yet untamed set, complete with steps and wild rocks cascading down the stage, has plenty more tricks to perform. I'd say it's the star of the show.
Reviewed by Tig Land on Tuesday 29 September |