The curtain comes up on a set which looks as though it’s literally been lifted from of the grandest National Trust houses in Britain. The country-house kitchen is superbly crafted, and the attention to detail is staggering, transporting us instantly back to 1945. The war is over; it’s the night the Labour party wins their overwhelming election victory over Churchill's Conservative campaign. The daughter of the house’s never-seen owner, the young Miss Julie (Helen George), has been out drinking the night away and, in a drunken act of defiance, mixing with the below-stairs boys.
Reviewed by Tig Land on Wednesday 6 July |
Playing this week at the Lantern in Kemptown, Brief Hiatus’ unusual interpretation of Spring Awakening is modern, arresting and uncomfortable. If you like Bertolt Brecht, epic drama and Nietzsche you may enjoy this play – which contrasts male and female teenagers’ boisterous, comic, but ultimately dark odyssey into adulthood.
Reviewed by Roz Scott on Friday 1 July |
The premise of Thriller Live is exactly what it says on the tin: a showcase of the greatest hits of one of the greatest stars the world has ever seen, the iconic performer Michael Jackson. Several strong male leads take turns to sing the well-known numbers, and all of them sound uncannily like Jackson himself; if you closed your eyes, there were times when you would have thought it was actually him on stage. That’s how close the singers get to capturing his tone, his pitch, and the momentum in the melody.
Reviewed by Tig Land on Tuesday 28 June |
Staging Evelyn Waugh's 1945 classic novel was always going to be a challenge. Many people will remember the sumptuous eleven-week television production in the early eighties – which shot Anthony Andrews, a small teddy bear and Jeremy Irons to fame. Sadly, this new stage adaptation by Bryony Lavery struggles to match that stellar precedent.
Reviewed by Tig Land on Thursday 9 June |
Already much-acclaimed in London and elsewhere, The Father centres around the crumbling world of Andre, who is slowly suffering the devastating effects of Alzheimer's disease. It’s easy to understand why actor Kenneth Cranham earned an Olivier award for this role; through his impeccable performance, we watch the dismantling of not just Andre’s relationship with his daughter, but of the world as he knew it and all it will become.
Reviewed by Tig Land on Wednesday 27 April |
Like many people, I first encountered this iconic piece of literature during my school days – and I was curious to see how the familiar tale of rural America would transition to Brighton’s Theatre Royal. Very successfully, as it turns out. The set was fantastic – put together by the ensemble of actors, accompanied by live musicians – and formed the perfect backdrop to the touching story of friendship between George (played by William Rodell) and Lennie (Kristian Phillips). The pair are farm workers, constantly on the move in the search for employment, but dreaming of eventually having enough money to buy their own land and build their own home.
Reviewed by Tig Land on Wednesday 20 April |
Entering the Theatre Royal for this upbeat evening of entertainment, there is absolutely no mistaking which era you are embracing. The retro set – complete with glitter balls and lurid furniture – is complemented the flamboyant costumes of the 70’s, where tank tops, flares and patterned shirts ruled the fashion of the day.
Reviewed by Tig Land on Wednesday 6 April |
Set in 1613, and based – it’s claimed – on real events, The Herbal Bed centres around the home and herbal garden of the gullible Dr John Hall, played here by Jonathan Guy Lewis. All seems well in the doctor’s world – until his wife Susanna (Emma Lowndes) is publicly accused of adultery with her neighbour Rafe Smith (Philip Correia). The affair has a double edge to it, for Susanna is the daughter of a rebellious playwright called William Shakespeare… and her husband’s practice of natural medicine challenges the fundamental beliefs of the church. Facts become distorted, rumours are fuelled by lies, and it is decided that a public enquiry by a Church court must play both judge and jury.
Reviewed by Tig Land on Wednesday 23 March |
The dance company Rambert returns to Brighton with this triple-bill, combining the title piece The 3 Dancers with two further new performances, Hydrargyrum and Transfigured Night. As so often with mixed bills, it’s hard to know what to expect overall; the effect is a bit like a lucky dip, and how much you connect with the combination of works is at least partly down to chance.
Reviewed by Tig Land on Thursday 17 March |
A red carpet outside the theatre, police cadets on every door, a full house… and two of my very favourite soap stars in the lead roles. My expectations were high for this adaptation of the novel by Peter James. As you’d expect from James, the play is set in Brighton, and it focuses on the long-term marriage of Victor and Joan Smiley (Shane Richie and Jessie Wallace) – who, when together, are anything but “smiley by name and smiley by nature.”
Reviewed by Tig Land on Tuesday 8 March |